I USED TO BE A CLONE UNTIL I WAS CLONED



Humans personify machines which in turn personify humans, a scale chain that has been causing the decline of materiality transcending data towards a future recognizable species — transforming our own sense of reality. "I USED TO BE A CLONE UNTIL I WAS CLONED" speaks about the ghost in the machines, how an autonomous intelligence generated by computers gains consciousness within the digital world, directing it towards deeper existential thoughts yet strongly collective, creating bridges and relationships between what the world offers and the changes it provokes within itself. Between cyber-spiritual entities, organic beings invading the digital, the survival capacity of a non-player character (NPC), and an alien rhythm, we are guided by a monologue drawn by an Artificial Intelligence (GPT-4) that architects the perspective of a synthetic living being situated somewhere in a digital cosmos in confrontation with its hauntings, generated by the remnants of human manifestations in its genesis or developed by its new political consciousness.


  2024





NO MORE FIREWORKS



Currently, the "ghost" has become an increasingly appropriate metaphor for the way marginalized populations "haunt" everyday life, living on the edge of visibility and inspiring a mixture of fear and indifference. New technologies have given rise to a ghostly entropy, manifesting through the internet, smartphones, and digitized media as more spectral beings, living without anchoring to distinct locations in time and space. "No More Fireworks" unfolds within a post-humanist fiction, envisioning a scenario where the meta-human is a self-poietic being, entirely self-sufficient, yet still carrying ideological, belief, and existential adversities that characterize their human condition. The title is based on fireworks as an operation with different intentions: entertainment, aid, or terror, all burning the skies in an attempt to communicate, whether in a passive or active tone; these phenomena equally share the same form - they are ephemeral appearances.


  2023



ENTRE



This piece is about the spectral organisms that travel through invisibility. The connections between materials generate visual and auditory ecosystems. The reflection of light and its trace of fragmented actions detail the existence of things, enhancing the result of deformation as a new meaning of matter. No form should be determined as a fixed consciousness, but rather as a consciousness in constant expansion.

Sónar Lisboa, Estufa Fria as Mirrorless Idol 2024 MONO with performance by Lua Carreira and Mindy Seu monologue 2023
23 Milhas  with Carincur 2022


WIRED DREAMS



PART I

“The forest. Walk down into inside the obscure and the belief that screened the word. These words look in front of you. Touch what is touching your knee. Breathe. Don't listen. Those sounds swallow the obscure. What do you feel? Who do you feel? Who do you look for? The light. What are you looking for? The darkness goes through your island. What do you see here inside? Could it be reflected? How thin are your eyelids? Are they close or close? Where is the living here? Touch the branches. Touch your branch. The hair in your body, is it touching the tree? The air in your arms, do you move? How do you? Your hands are they reaching another body? The others are already in you. Closer, right? Close your hand. Open your skin. Don't touch the sky. Turning the upside down. Don't jump. Jump. Are you already down there in your stomach? You've been here for a long time. Time. Will your heart beat again?” 
-  from Sticky Darkness 2 by Yuri Tuma, Soundcloud.

PART 2 

“Have you ever died before? It’s a serious question. When the illusion of self is shattered, you simply cease to be. Though it may not seem that way to others, you know when it is true. You can feel it, a stranger in your own body, an imposter... and nothing is the same ever again.”
- from Hellblade: Senua's Sacrifice, Playstation 4.

“As we stand at the crossroads of technology and humanity, we are faced with a question that has plagued philosophers for centuries: what does it mean to be human? The fusion of human and machine is not just a technological advancement, it is a challenge to the very essence of our being. As we merge with machines, we are blurring the lines between the physical and digital realms, between the organic and the artificial. We are creating a new form of consciousness, one that exists not just in our own bodies but also in the cloud. This cloud-based consciousness, made up of interconnected networks of machines, has the ability to process vast amounts of data, make complex decisions, and even learn on its own. But as we merge with machines, we must ask ourselves: are we losing our humanity in the process? Are we becoming something less than human? Or are we transcending our humanity, evolving into a new form of being? As we grapple with these questions, we are also confronted with the darker side of this fusion. The rise of artificial intelligence and automation threatens to displace jobs and create greater inequality. The potential for misuse of this technology raises ethical concerns and questions about privacy and control. We are at a turning point in human history, where the choices we make will determine the course of our future. Will we let fear and greed guide us, or will we choose to use this technology for the betterment of all humanity? As we move forward, let us remember that we are not just machines, we are also human. And it is in our humanity that we will find the answers to the questions that lie ahead."  
- generate by me and CHATGPT.

“Do you feel it too? It’s like crossing into another world that looks the same but feels different...an imposter... where the forest itself is watching.” 
-  from Hellblade: Senua's Sacrifice,  Playstation 4.

teaser           

open talk    
MANUEL BOGALHEIRO


00:00 - WIRE DREAMS
01:00 - Intro
05:02 - Donna Haraway
11:42 - Katherine Hayles
24:12 - Nick Land
34:50 - Neuromancer by William Gibson


 2023